Macbeth (2015)

​We humans are still finding unique and beautiful ways to make Shakespeare’s ancient text come alive. This delights me. So when it was announced that Australian director Justin Kurzel was working on a new film of Macbeth, starring two of today' greats - Michael Fassbender and Marion Cotillar - I got excited. When the trailers debuted with their stunning imagery, the film was projected to the top of my must see list.

In fact, I was so thrilled watching a trailer, I took a bunch of screenshots and arranged them into this beautiful grid. I wanted to show the world how breathtaking these shorts were.

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I had a lot of free time back when I was sick for a month and a half.

Only the film would not arrive in Calgary’s theatres. The December 4th date listed on IMDB came and went. As each week progressed, my hope to see this on the big screen fell a little lower, until I despaired and stopped checking for listings. It was then that my friend Kyle pointed out that it was showing in one of Calgary’s tiniest theatres.

So, I got to see the film. Then I reviewed it for Reel World Theology. It was a fun film to write about, and I hope you enjoy my review.

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City Lights

Last week I had the privilege of writing for Reel World Theology about one of my absolute favourite films, Charlie Chaplin's City Lights. It was a challenge to capture what makes this flat out masterpiece so timelessly beautiful. Check out the original post here, which includes links to scenes from the movie. I've included a slightly edited version of the review below. Whatever you do, take the time to watch City Lights.

Although I’ve included a few clips from City Lights, I highly recommend watching the entire 87 minute film. It moves quickly, is remarkably approachable (even to those unfamiliar with older and silent films), and available in numerous editions on YouTube, as well as through Criterion’s splendid restoration. 

The story of our world is that of a comedy. I don’t mean comedy in the modern sense of the word, a story filled with humour and laughs. I refer to its older meaning, the meaning used by Dante, that of a story ending in joy, rather than grief.  This understanding is distinctly Christian, for we are to view the world through the lens of the Great Story of All Time, communicated to us by the Bible; a story filled with grief that ultimately ends in the greatest joy imaginable. 

Charlie Chaplin’s masterpiece, City Lights, mirrors this ultimate comedy. It is a story aware of grief, yet ending in great joy. But it is also a comedy in the traditional sense of the word, a supremely funny film. Chaplin, repeating his signature role as the Tramp, seems to always arrive in the right place at the wrong time. He sleeps in the arms of a civic statue, awkwardly ruining its grand unveiling. He tries to admire the art in a shop window, only to walk into an open manhole. He wanders out to the docks at night, where a drunk millionaire attempts a suicide right in front of his eyes, avoiding death only after Chaplin’s desperate measures to keep him alive. Finally, after all these apparent mishaps, a situation occurs that better suits the Tramp, when a blind flower girl, whose beauty smites him, mistakes Chaplin for a wealthy millionaire. 

The rest of the film follows Chaplin’s encounters with these two characters. At night, the indebted rich man takes the Tramp out on the town, where hilarious mayhem follows his every move. With a gracefulness despite scenes of ridiculous, frantic circumstances, Chaplin dances with the wrong lady, swallows a whistle down his throat, and mistakes the twirling streamers at a party with his plate of spaghetti. His response to this mayhem is a sort of bashful innocence. In the face of injustices and confusion, the Tramp carries on, smiling and enjoying what is offered him. In his mind, he deserves nothing, so anything he gets is a gift. 

But during the sober light of day, the rich man, forgetting the previous night’s drama, kicks the Tramp out of his mansion. Chaplin responds by visiting the flower girl’s apartment, where he impresses her with both his mistaken wealth and his genuine kindness. It is here that he learns of the girl’s debt and its impending consequences, as well as a doctor whose operation could cure her blindness. Desperate to save her from ruin and restore her sight, Chaplin doggedly pursues various employments in an attempt to raise the funds on time. A career as street sweeper is ruined by his frequent visits to her apartment, and a last minute effort to earn the money in a prize fight results in one of cinema’s all-time funniest sequences, graced by both Chaplin’s nimble feet and a light-footed musical score (composed by the star himself.)

In the end, his efforts failed and the debt’s deadline fast approaching, the tramp runs into millionaire, drunk again and eager to welcome Chaplin back into his home. The rich man gladly gives Chaplin money for both the girl’s debt and her surgery. The Tramp delivers this gift to the delighted girl, sparing not a single bill for himself.  But, in a cruel finale, echoing the frequent role reversals of the story, Chaplin is mistaken for a thief that had robbed the mansion and is locked in jail by the authorities. 

Already at this point in the film, there has been more than enough to stir our hearts. The Tramp’s wholehearted generosity and self-sacrificial love to his beloved echoes, if only dimly, that of our Redeemer’s. His undemanding spirit in the face of confusing circumstances has much to teach us on the believer’s attitude to our changing situations. The way that the rich man, despite his debt to the ragged tramp, regularly fails to recognize him or honour him, reminds me of our frequent condition of spiritual amnesia. But these themes find their climax in the film’s powerful resolution, the most powerful ending I have ever seen.

The Tramp, now released from prison, is completely desolate, a shadow of the man we’ve previously seen. His face is gaunt and his clothes are in rags, leaving him now, at last, truly alone on the city streets, mocked or ignored by all who pass him. He stoops by a window, picking up an abandoned flower. The window happens to belong to the girl, who is now restored to sight and the owner of a respectable flower shop. We learn that she is always seeking the return of her benefactor, wondering if every rich man that comes into her shop is him. Chaplin looks through the window and directly into her face. He lights up when he sees her, until he realizes that she has no way of recognizing him. 

The girl assumes that this is just a poor stranger struck by her beauty. “I have made a conquest!” her title card declares, and she kindly offers him a single flower, along with a coin. But the Tramp just continues to smile out of love, basking in the sight of her face, the petals of his ruined flower falling one by one out of his hand. Bashful, he turns to leave, but the girl, dashing out the door, catches his hand and places the coin in it. Suddenly, her look changes to one of clarity and recognition, even horror. Her heightened sense of touch has recognized what her eyes did not. Her redeemer is standing right in front of her, but he is not who she was expecting. Any former illusions of grander are stripped away. She has seen him at last for who he truly is. 

“You?” she asks through the title card. The Tramp, his face wound tight with expectation and hope, eagerly nods. Her face falls. He lover is not a rich man who will sweep her away, but a lowly tramp. Chaplin gestures to the eyes. “You can see now?” asks his title card, a simple question filled with double meaning. Her face is marked with disappointment and sorrow, and she confirms. “Yes, I can see now.” The tension is unbearable. Will she accept him for who he is? Will she love him, like he loved her? Everything in the story hinges on this moment. All of the pretending has been stripped away. 

Slowly, she takes his hand and clutches it to her breast. For an instant, she smiles; then the camera switches to a tight crop of the Tramps face. As doubt departs, his face breaks open into a smile of pure joy, an expression so intense that the screen quickly fades to black and the film ends. Fixing our eyes on such joy any longer than what was permitted would be too unbearable this side of heaven.

Do we recognize our Beloved? When He returns, will we see Him for who He is? Or are our eyes blinded to the reality of the joy we are invited to enter, joy like that of the Tramps face? City Lights, (aptly subtitled “A Comedy Romance”) is a reorienting film, a film of remarkable clarity for us who need such clarity so desperately. It refreshes us with laughter, reminds us of grace, and restores our vision of joy.

An Interview with Tim Mackie of The Bible Project

In August 2015 I got to spend a day at The Bible Project’s studios in Portland, Oregon. I wrote an essay describing that experience and if you are looking for an introductory read on The Bible Project, I recommend starting there. During my visit I had the great pleasure of interviewing Tim Mackie, pastor of Door of Hope church, professor at Western Seminary, and co-creator of The Bible Project. We talked for over 45 minutes and only some of that made it into the essay. The entire conversation was so insightful I’m publishing the whole thing, edited for clarity, so that other fans of the project can listen in and learn with me.

Because it’s a long interview, I’ve divided it into 6 sections: Tim’s Journey and the Story of the Bible Project, Portland’s Unique Church Landscape, Doctrinal Balance and Discipling Artists, The Visual Approach of Their Videos and Their Intended Context, What’s Next for The Bible Project, and Bi-vocational Ministry and Other Advice. I’m very thankful for Tim’s interest in my questions and his time. I hope you find his responses as clarifying and encouraging as I have.

 

1. Tim’s Journey and the Story of the Bible Project

A lot of it is wrapped up in my story. I grew up in East Portland, just a mile away from here. I became a Christian through an outreach ministry to skateboarders. A church had built a skatepark in its backlot and people could come and skate, paying $2 and skating for the whole night. It would be open from 6-9 p.m., but they’d close the park down at 8:30 p.m. and one of the staff would give a Jesus talk. If you wanted to skate the second half of the night, you would have to sit through the talk. It was cool, everybody respected it. So I went to that for years and years through my teens, and then became a Christian when I was almost 20.

I got involved, started teaching Bible studies for the junior high, and I was like “I don’t know what I’m talking about.” So across the street is the largest Christian college here in the city, called Multnomah University, at the time Multnomah Bible College. Jon and I met there. I started going to school and became a Bible geek. I fell in love with all things Bible. 

That’s where you met Jon.

We lived at the intern house and that’s how our friendship began.

That’s right. I was interning at the skate ministry and so was Jon. We lived at the intern house and that’s how our friendship began. Then I went to Western Seminary here in Portland, and from there shipped off to the Midwest to do a PhD in Hebrew at the University of Wisconsin.  My Hebrew teacher at Multnomah had gone there to head the program. It was a great, great program.

Was it a Masters and a PhD?

That’s right, a combined degree, 7 years. And I loved it. I loved it and learned a lot. I had a year in Jerusalem studying at the Hebrew University there.

Is that where a lot of your Hebrew and Jewish elements comes in?

Yes. I was fluent in reading Hebrew by the time I went, but for me this was a whole journey of discovering Jesus’ Jewish identity. I just fell in love with Hebrew scriptures and… the whole deal. I’m just a Bible Geek! No two ways about it. 

But as I was finishing my degree, about 2 years prior to finishing I started doing student teaching at the university, teaching classes. And I… didn’t like it. 

Really!

And I realized that for me, the Bible is a living thing and the whole point about why I care about this thing is the way that it shapes people and communities for the Kingdom of God.

Yeah! I didn’t like the environment. I loved the university environment but I found that the students I was teaching just didn’t care. The courses were required Judaism or religion classes. And I realized that for me, the Bible is a living thing and the whole point about why I care about this thing is the way that it shapes people and communities for the Kingdom of God. 

So I thought, “Okay. That was a good learning experience. I’m going to finish the degree and then figure out a way to bridge my passion for the Bible and learning the Bible as an artifact of history, but also as a living Word to God’s people. I need to find a way to bridge those two worlds." So I stayed in Wisconsin and came on staff as a pastor of the church we were attending. I just began by teaching Sunday school classes, and then started tutoring the senior pastor Hebrew! He wanted to resurrect his Hebrew, and then he invited me to start preaching. That came pretty naturally and then they brought me on as a pastor. 

We moved back to Portland 4 years ago, because my family is here and my wife Jessica’s family is in Seattle. I came back to Portland with a 3/4 time role at Door of Hope. It was a young, 2 year old church that was meeting about two blocks from where I grew up.

Wow.

It has since moved locations. When I arrived, I was their second pastor. I wanted an experience of what it’s like to be at the ground floor of a church. I wondered, is any of that church leader guy in me? And I discovered that it’s not. (Laughs.) I’m definitely a teacher and I love being an elder, but as far as actually building teams and running a church… I kind of suck at it. But that’s okay! You learn by failing and doing.

And it’s great that you can have a context where you can excel without doing that.

Yes, that’s exactly right. So when I moved back I thought, “All right. I’m either going to be at Door of Hope and then I’ll teach adjunct at Western Seminary,” which is my alma matter so I have relationships there. That just came out naturally. 

Then Jon and I were hanging out (this was back in Wisconsin when I was planning to move back to Portland) and he pitched me this idea. 

Really!

Then Jon and I were hanging out (this was back in Wisconsin when I was planning to move back to Portland) and he pitched me this idea. “What if we did some Bible theology videos?”

Because he had been making all kinds of videos. “What if we did some Bible theology videos?”

So we started meeting a morning a week in the Fall of 2012. 

Wow. So this goes back much further.

Yeah! And so we worked on Genesis and Heaven and Earth for a year and a half, before we even started making them. 

Were you just developing it?

We were working on the script. Trying to figure it out. We recorded all kinds of stuff, but they were all 20 minutes long. But at a certain point we got some money and threw it at developing storyboards for Genesis Part 1.

Through the church or… ?

Yes, actually we did. Door of Hope has a creative non-profit arm for music called Deeper Well.

I love their stuff!

Yeah, Josh Garrels has done some stuff through them. So we just put it under Deeper Well as “creative video”. Then we just sat and we worked. We were also trying to think of the crowd funding idea and how to build all of that. It was a slow build!

Yeah! But it sounds like you built the groundwork to make the visual style and the form of communication consistent, so you had that in place before you were ready to go.

Yup, that’s true. We were developing the style, everything, and then we just launched the videos and it’s just gained momentum from there. 

That’s exciting!

Door of Hope’s basically been letting me donate a day a week for the last two years.

Yeah! It’s been really fun to watch it. So the way my life’s set up now: I just started half time at The Bible Project back in in April. So it’s new! Prior to that, Door of Hope’s basically been letting me donate a day a week for the last two years.

Okay. So it was under their budget essentially.

Yes. So just in the last couple months have I shifted to part time at Door of Hope and part time here.

 

 

2. Portland’s Unique Church Landscape

I don’t know if this is just a perception that is wrong, but the reason I came to Portland is actually because there is so much creative, gospel, truthful, stuff happening here. 

Yes!

I love the arts, but I find so many creative, faith-based institutions tend to get slippery on the doctrine. But I think of Humble Beast, which I’m visiting tomorrow…

Cool, those guys are great!

It was something significant. It was part of a new wave of younger, more innovative church planters who were really trying to engage the culture of the city.

I think of Josh Garrels and I think of you guys, your church, and The Bible Project… and I don’t think Portland! I’ve always thought of Portland as this West Coast, spiritually vacant place. So, what is it, do you see a common thread tying this together? 

Hmm, yeah that’s interesting… 

Is it the healthy churches?

For sure. To be honest, I think it is a huge piece of it. It’s that Door of Hope is one of a network of churches planted in the core of Portland during the last decade… well more than a decade. Jon’s church, ever since he stepped away from being a pastor, has been Imago Dei, right up the street, which started in 2000. And it was something significant. It was part of a new wave of younger, more innovative church planters who were really trying to engage the culture of the city. 

Okay! Where did that spark from? Was it a Tim Keller thing, were all these churches reformed?

There’s been a whole wave of these churches. It’s unique! I think it’s something the Spirit is doing here in Portland.

No no! It’s very… I mean, it just happened! Rick McKinley planted the church. Rick is adjunct at Multnomah University and Seminary. He runs the D.min of their cultural engagement and church planting program.

Where is Multnomah in terms of their theology?

It’s an orthodox evangelical school. Within the reformed tradition but classic, not neo-reformed. Same as Western Seminary. Western is a very centrist seminary,.

And is Trinity Church of Portland, Art Azurdia’s church, based out of Western?

It’s not. They meet at Western and they use their building. And the guy who started it is also professor there, but it doesn’t represent Western or anything.

Right, got it. The first time I attended my church in Calgary was for a conference and it was Art who was preaching.

No way!

Then about two years later I started going to that church full time. When I started digging into Humble Beast I realized “hey, I know this guy!” 

And among all of us there’s a common focus on discipling people who are engaging, through their careers, the culture of the city.

So that’s one church.

That’s one. But there’s been a whole wave of these churches. It’s really… it’s unique! I think it’s something the Spirit is doing here in Portland. There’s A New Wave, Door of Hope, a church called Bridgetown, Bread and Wine, Evergreen, Theophilus… I could probably name about a dozen, in size ranging from large to medium to small. But there is a collegiality. All of us pastors, we either all went to school together or know each other, from skate church or…

So there is a commonality there.

Yes! We are all friends. And among all of us there’s a common focus on discipling people who are engaging, through their careers, the culture of the city. And so, 15 to 10 years in…

You start to see fruit.

you see the fruit of that and it’s through a business like Epipheo or Sincerely Turman or Humble Beast. I mean the coffee industry in Portland is riddled with really, really committed followers of Jesus.

Really!

Among the main, significant roasters there is a core that are owned or managed by Christians. It’s really interesting. Same with the creative industry. 

Among the main, significant roasters here in Portland there is a core that are owned or managed by Christians. It’s really interesting.

So it’s really about the Gospel taking root… 

Yeah, I think it’s a movement of the Church. 

And then another unique thing is that Luis Palau, who’s a Latin American evangelist (something of a Billy Graham to the developing world), has his headquarters based here in West Portland. His son, Kevin Palau, rallied and became kind of a a spokesman on behalf of the local churches of Portland and approached the Mayor about how the churches can serve the city. 

Oh I heard about this! Redeemer City to City had an interview with him.

That’s right! So that guy, Kevin, has became kind of this convener of the churches of the wider Portland area. And so there’s been a lot of the churches teaming up. So there has just been all these things creating this sense of the Church of Portland that I think is unique. One of the fruits of that is that in Portland there’s a lot happening in the tech, creative, arts, and communication areas. It is a city filled with lots of Christians who are a part of the unique thing that’s happening here. So stuff happens!

There has just been all these things creating this sense of the Church of Portland that I think is unique. One of the fruits of that is that in Portland there’s a lot happening in the tech, creative, arts, and communication areas. It is a city filled with lots of Christians who are a part of the unique thing that’s happening here.

Amazing.

Really! I think it’s kind of unique. So those are all of the various pieces. Josh Garrels is a good example. They moved here because they wanted to become part of Door of Hope and to make this their home base. 

Okay, so they heard of the church.

Yes! I forget exactly, they told me the story. They were going to move here, or to Seattle, or to somewhere in the South - because of family. They had been to Door of Hope and felt that this is where they were supposed to land. Now he’s an elder at Door of Hope! God is doing cool stuff in his life and there is lots of… There’s probably a million things that we can’t even think of that are also happening. 

It’s neat to see the fruit of that Gospel work that is going forth, even in Canada where I am. I’ve been broken by Humble Beast’s music during very dark moments. Same with Josh Garrels. His music has been there at the right time and you can see the fruit of that.

Right! So there you go. As much as I can put in a nutshell that would be part of my response. I really think it’s fruit of the 'Capital C Church' here in Portland.

Wow.

 

 

3. Doctrinal Balance and Discipling Artists 

There are two aspects of that I’m curious about. One is: when you have this greater community of churches, how do they keep their distinctions while still being unified? Were there any sacrifices that were made or things they had to watch for? And then on a similar note, I think of Door of Hope and just the amount of artists that are based there — which has an effect that I feel when I visit. The music is outstanding, the visuals are beautiful, there’s great coffee. But there is also a depth there. I was listening to the song they played on Sunday towards the end and I loved it so I looked up the artist’s music.

Yes, Wesley Randolph Eader!

Yes, Wesley!

Oh, he is insane.

His lyrics are beautiful!

He is a modern John Newton or Isaac Watts. 

He reminds me of Indelible Grace’s music.

He is so good. Yes.

I find it very tricky for people who love the arts to maintain their orthodoxy. It’s often a very slippery slope. 

Yup.

But your church seems to be maintaining it with their artists. So I’m curious; how do you maintain unity in the churches, what sacrifices are made, and then how do you maintain a unity of doctrine and arts as a church?

Well, I can only speak for Door of Hope. Imago has a really big emphasis on discipling artists as a part of their ministry.

Okay, so they are actually discipling them!

Yes, Paul Ramey is their Pastor of Worship Arts, but really he sees his role as the pastor of the artists in their community.

Hmm, so there’s respect. An artist would feel the encouragement, but also be corrected.

Yes. So for every church it’s different. 

At Door of Hope, everything for us revolves around what we call the four pillars and everything we do filters through those. The first one is Gospel, specifically of the life, death, and resurrection of Jesus and the Spirt being this central thing. We don’t have many doctrinal distinctive other than classical orthodoxy, We’ve had to make certain distinctions as we go, just around how to operate as a church and leadership stuff. But this approach is true of many these newer wave of churches. We have a real classic evangelical centrist position theologically. 

What happens when contentious issues come up, maybe the role of women in the church?

Our elders came around it, we weighed it all, made a majority decision, formed a paper, and then some people left the church. It’s all just typical church stuff. 

But that’s different than your question around artists maintaining their orthodoxy…

Sorry, those are really two separate questions. I should have split them up but they were formed together! 

No, I hear that. I think that… A healthy church that really is centred around Jesus is always going to call everyone in the community to that centre.

To be discipled.

A healthy church that really is centred around Jesus is always going to call everyone in the community to that centre.

Yeah. Now, I don’t have any illusions that the majority of artists in Portland are even remotely interested in Jesus.

No.

Even though we have a lot at Door of Hope, it’s just a tiny sample. 

But I think of Image Journal (who I respect in many ways). I’m not saying they are not believers, but they don’t have that solid weight and I think discipleship maybe is what comes in. 

Yes. Well, I think it just depends. In terms of what’s happened at Door of Hope with our emphasis on music, it has been a really unique thing. It comes out of the guy who planted the church, Josh White. He’s the other main teaching pastor and he is a musician, so that’s been his thing.

That helps!

And also if he wasn’t a pastor his other career would be interior design, so he's got a thing for aesthetics and design, and it shows, and it’s awesome! He was meant to plant a church in Portland. It was just perfect. 

Of course. He is part and parcel of Portland’s culture.

 

 

4. The Visual Approach of Their Videos and Their Intended Context

I have another question that I’ve been wrestling with as I look at your materials at The Bible Project. Something that my church talks a lot about is that as Christians and Evangelicals, we are people of the Word. The Word is what unites us and the Word is our life. So something that my pastor brings up is how many offshoots in Christianity become quite image centred. You look at Eastern Orthodox streams or even Catholics. And so, coming out of the Reformation, we are people of the Word, even in our Jewish roots. 

So then, think of how our culture used to be word centred (think of the majority of our past’s media and entertainment). But today I would say that about 80% of our media is visual. Our culture communicates in a more visual style. I think that’s one of the secrets to The Bible Project is that you communicate that way too.

Yup.

Do you see a conflict there? How do you maintain a Word-centredness while using a visual language?

That’s a good question.

We’re not trying to replace people’s experience with the Scriptures. I think we are trying to provide a tool that makes them coherent, understandable, and approachable. If anything, one of my goals for the videos is that someone watching them goes, “Oh, I want to go read the book of Genesis!” But at the same time, the Scriptures are united to living church communities that are themselves being shaped by the Scriptures too, so there is that ecclesial element of encountering Scripture within the web of relationships of other disciples. 

We’re not trying to replace people’s experience with the Scriptures. We are trying to provide a tool that makes them coherent, understandable, and approachable.

How do your videos point to that?

We want to make them accessible and easy and that churches would want to adopt and use. 

Okay. So even if you are throwing them up on YouTube for some guy to find all by himself, the intent is for communities to use them.

Totally. They are getting airtime in churches all over the planet. It’s really cool! 

I’m a huge fan of people not trying reading the Bible on their own. I think you can do so, but we only stand to be enriched and helped when we read them in community. So I think the videos are a way of reading the Bible in community and helping give people tools. Nothing replaces a community of disciples learning to follow Jesus, immersing themselves in the scriptures, and being a people of the scriptures. That’s an irreplaceable factor.

It comes back to discipleship, just like with the artists.

Yes, that’s exactly right. So in that sense, we are creating a tool that helps people do what is the most important thing, but it’s also a form of outreach. 

Nothing replaces a community of disciples learning to follow Jesus, immersing themselves in the scriptures, and being a people of the scriptures. That’s an irreplaceable factor.

Oh yes. An amazing form of outreach!

We are trying not to use any Christian lingo in order to make it understandable to anybody.

So you’re not using lingo. What are other approaches that are in the back of your head when you plan these videos that give them such broad culture speak?

Well it’s just… I use the words that I would use to explain it. Laughs. And again, part of that’s my story.  I didn’t grow up with the Bible. I was a young adult really encountering this as new world and was really, really thrown by it. I loved Jesus, but the Bible was challenging for me!  So I had to reconcile myself to it and work with it and I ended up finding it beautiful and amazing.

Challenging in its approach or challenging in its implications?

Oh, challenging in its content! And like why… what is this?

So you’re having that experience at the back of your head as you are planning and teaching.

Yes, just my own journey. What do I do with sacrifice and atonement? What is going on here? How I explain it to myself, alongside everything I’ve learned and read, is then what makes it into the videos. I’m making the videos partly for myself, to use! Or they come from materials I worked out in classes I taught that I’m now putting into videos. And then Jon helps, because he's got that gift of making things concise and boiling it down. So he’s another layer where theological jargon gets removed to make it just very approachable.

When you’re doing a video, whether it’s a theme video or a book video, do you have a certain audience in mind? The other half of that question is when you look at the whole scope of The Bible Project, is there an overarching Gospel or message you are trying to communicate?

I think it depends. Book videos are trying to unpack each book by its own literary design, themes, and message, and then how it fits in to the overarching story. And so that is just what it is. Hence, we don’t mention Jesus unless he is mentioned in the book. I am bringing out a lot of the messianic themes. We haven't yet done that many Old Testament books in the sketchbook series, but when we do that it will become more clear. But even for the Passover video, we bring out elements like the cross and blood dripping down, so those kinds of things.

In as much as the story of the Bible is the story of the Gospel, then yes, every video is unpacking the Gospel from these different angles, as sub-themes throughout the Bible. Whether people realize it or not, we are trying to reframe how the people think about the story of the Bible, how this includes, well…everything!

And the theme videos?

For the theme videos, that’s where the action is. Every one is structured as we run it through the biblical narrative, so the prophets are pointing forward to the messianic kingdom and Jesus’ realization of that kingdom is the pivot. In every video, that’s the pivot. So in as much as the story of the Bible is the story of the Gospel, then yes, every video is unpacking the Gospel from these different angles, as sub-themes throughout the Bible. Those are fun because they are synthetic, big synthesis projects. Whether people realize it or not, we are trying to reframe how the people think about the story of the Bible, how this includes, well… everything! The Bible is pretty encompassing. It is training that will mess with your mind. So those are really fun. To put those concepts into accessible language, I know it is really helpful for me. 

 

 

 5. What’s Next for The Bible Project

I’m thinking about how The Bible Project came together and I see God’s hand at work through the right people, with the right background, at the right time. I see how the church provided a financial and pastoral influence on it. Then obviously, there is the huge stage of planning and just putting a lot of hard work and thought and being very deliberate about it. And now we have the crowd funding element keeping it alive. So when you look at what’s going on here, if you had unlimited resources, time, people, and money, what else would you do? What other potential is there for churches and the body of Christ to do stuff that your doing?

Well, yes, that’s a good question. Right now I’m still a deer in the headlights for what we need to get done by next September!

Is that the deadline?

For this phase of the project, yes. We’ve broken it up; we are going to do every book of the Bible in the sketchbook style by next Fall. We’re going to crank out a theme video every month and a half, we have all those lined up. And then we’re prototyping — actually this week we launched the design phase — a series we are going to do on how to study the bible. It will be a 15 part series with skills in reading different the literary genres, that kind of thing. It think it will be awesome! So, once that phase is done… I mean, we have a lifetime of theme videos we could make. So we’ll just keep turning out those. I want to do a series on the history and the making of the Bible — the cannon, the manuscripts, stuff like that, it’s a big interest of mine. And then Jon wants to do a Holy Land series where we do a hybrid of animation and onsite filming, going to different places.

My dream would be that the channel has just hours and hours and hours of content that is free, that someone could walk away with. Another phase of it would be, not that I want to do this, but creating experiences with the videos and shaping it into a curriculum that is free. Like a free online seminary education. And then that is paired up with the translation phases that Ken has his mind around. Making it all available for free! So that a seminary in, say, Kenya, that doesn’t have a huge library but the videos could be available in Swahili, and they could take pastors through it. You know what I mean? They could read through the Bible in one year, while working through the videos with the interactive materials we would create.

How does that change culturally?

Oh that’s a great question and I have no idea. Laughs. But, I’ve thought about that.

My dream would be that the channel has just hours and hours and hours of content that is free, that someone could walk away with.

But you’re keeping it pretty… it’s just the text. 

Sure. But even the way that I would think about doing it is shaped by the fact that I grew up here. And the questions that I think need answering aren’t necessarily the questions that a Kenyan Christian would need answering. And so… I don’t know the answer to that one. I’m just making them. Narrative is a universal language, there is something there that is universal. And the Bible is universal that way. But there’s probably lots of how we are framing itthat would feel very Western to, say, a Chinese christian. 

Yet it is the story of the Bible. When you look at guys like the folks in EE-TAOW, where they go off to some culture and they learn the culture, but they still tell the narrative of the Bible.

Right, tell the story. Yes, EE-TAOW! I remember that.

 

 

6. Bi-vocational Ministry and Other Advice

Well, thanks so much.

Yeah, Daniel. I think my biggest encouragement is, if biblical theological education is exciting to you, just go for it, man. It’s so fun. And I think the other piece is that if teaching is your passion, the way to get better at it is just to do it, especially if you are given opportunities. I remember when I would teach anything. I would teach a Sunday School class with 8 people in a church in Vancouver if I could get the chance. Doing so also forced me to develop materials. When you can start developing materials, over time you you can morph and adapt and grow and pretty soon you realize, “Holy cow, I could teach a class with this!”

And in fact, that’s where the materials you are using now came from. 

Right. Very little of the content for any of our videos are being made from scratch. It’s almost always adapting something that I’ve done, perhaps a sermon series.

Which keeps the workload a little easer.

There is a value of weaving your life into the culture of the city, but having it overlap with the culture of the church, as opposed to being very separatist or distinct.

That’s true. It’s also born out of its context, which is in the church. 

And you know that it is going to work in terms of teaching.

I don’t know if you’re seeing it here in your context of Portland but something that I’ve seen at Calvary Grace, my church in Calgary, is that a lot of the staff are bi-vocational. And it’s something that I actually really appreciate, having come from a church that wasn’t at all. Because these guys aren’t in the office all day, talking to Christians. They know the trials of life and the struggles. 

My life is very different now than I thought it would have been four years ago. I thought I would have had an English liberal arts degree under my belt, but that’s very expensive now especially with the dollar changing. Now I’ve been working in technology for a while; I’m learning what work is and how to appreciate it, I’m learning about the culture more, and so I’m very thankful for what God done. But also thinking, how I can build skills? Would you see that bi-vocational approach continuing?

That’s interesting. I think it depends on the context. There is just a basic reality to the fact that if you can give more time to thing, then it will benefit from the more time you give to it. But a lot of it is built up in the philosophy of ministry and mission that a particular church would have. So if the value is that we want the personal lives of even our pastoral staff to be as woven into the community… But you have to compensate for that in some way. Because somebody’s got do stuff to make the church operate, even at the basic level. But I think there’s something to it.

For example, the way we’ve done it at Door of Hope is that, myself, Josh, and Evan, we all have significant creative projects on the side, or for me now, half of my job. These projects keep us engaged in our areas of interest. For example, Evan has a band that is quite successful here in Portland and he tours regularly. He just fits that into his life.  He’s full time at the church, but built into that he can take off these weeks and a lot of show time. And half of the people he pulls into his band are musicians in the church, so it’s all connected. There is a value of weaving your life into the culture of the city, but having it overlap with the culture of the church, as opposed to being very separatist or distinct. So that’s another way to do it. Find a way for vocation to overlap inside and outside the church. I think it just depends. I think by-vocational, in many setting, works because of its financial stability! It’s easier to float a church financially that doesn’t need full time employees.

So then in closing, having had this chat, do you have any recommendations in terms of how to do school? Would you do a communications degree at the local place and then do Bible?

I don’t have lot’s of great advice. Everyone is different, depending on the season of life. The game is changing where you can gain skill-sets in lots of different ways outside of the traditional university system, and then if you have job experience and relationships… But there is something in biblical theological education that is irreplaceable; where you have a season of life where you just focus and you get to be be around folks who have done that for a long time. That is rad. It was such a privilege to sit with some of the professors that I did and work with them. That is something that is unique that you can’t get from online courses.

It’s that community we talked about. The discipleship.

Exactly.

It’s been really encouraging to hear your story. God led you down this path and he will do it again, just in different ways. 

That’s exactly right.

Tim shares with Jon an insight on the book of Proverbs as they prepare the outline for an upcoming video. You can learn more about this process here.

Tim shares with Jon an insight on the book of Proverbs as they prepare the outline for an upcoming video. You can learn more about this process here.

Christmas Day and Advent Antiphons

Today is Christmas, a day of celebration; for although all is not right, and sorrow and frustrations are real, the promised Messiah has come. His arrival, heralded by angels and foretold by prophets, is foretaste of our future and ultimate deliverance. Our Eternal God has stepped into human form, redeeming us by living and dying in the flesh, and he will come again. 

Just as the reunion of a bride and groom on their wedding day is anticipated by their preparations, so the season of advent prepares us for today’s festivities. The seven great ‘O Antiphons’ of advent are a series of prayers thatcome from early Christians (as early as the 6th century). Each prayer uses a name of Christ from Scripture, calling upon him to come anew into our lives. Many will recognize them from the lyrics of ‘O Come, O Come, Emmanuel.  The prayers are rooted in and breath forth Scripture. I was introduced to them through the outstanding influence of the Cambridge poet-priest Malcolm Guite, who has an excellent series of sonnets based on each of these prayers.

In the seven days leading up to Christmas, I paired an excerpt of each prayer with a photo and a few lines from Malcolm’s sonnet. Click on the lines of poetry to head to Malcom’s website where you can hear the entire prayer and poem. I hope you find in these prayers, their pictures, and Malcolm’s sonnets a fresh way to yearn for, and rejoice in, Christ’s coming. 

Antiphon 1
Antiphon 2
Antiphon 2
Antiphon 4

O Key of David!
Come, and lead the prisoners. 

"O come again, come quickly, set me free
Cut to the quick to fit, the master key."

 

 

 

Antiphon 5
Antiphon 6
Antiphon 7

O, Emmanuel
Come, and save us, O Lord our God.

 "O come, O come, and be our God-with-us
O long-sought With-ness for a world without"

 

By the way, as Malcom points out on his blog, the antiphonies reveal a “secret message embedded subtly into the whole sequence. In each of these antiohons we have been calling on Him to come to us, to come as Light as Key, as King, as God-with-us. Now, standing on the brink of Christmas, looking back at the illuminated capital letters for each of the seven titles of Christ, we would see an answer to our pleas : ERO CRAS the latin words meaning ‘TOMORROW I WILL COME!’

O Emmanuel

O Rex

O Oriens

O Clavis

O Radix

O Adonai

O Sapientia”

 

Christ has come. Let us rejoice in who he is this Christmas Day!

How We Get Our Christmas Tree

Every year, on either December 23rd or 24th, my family cuts down a Christmas tree. They pile into the van, and follow winding roads into the Kananaskis, carols sung by the choir of Trinity College Cambridge playing through the car stereo  Eventually they pull into a trailhead chosen by my dad after consulting mountain maps and the tree cutting permit. But since one doesn't find Christmas trees on trails, the family disperses, outfitted with boots and gators,  willy-nilly off-road, through forests of knee-deep snow.

When in the wild, one assumes that every small symmetrical spruce tree will fit into our living room. When one summons the family to consult over your choice of a potential, some complaint is always raised. Usually, it's that the tree is too tall. Or the branches are too thick. Or not thick enough.

 (A friend once told me how his family would get their tree by going to their back forty and firing their guns at the top of a tall trunk until its tip fell off. Tips of tall tress almost always look good.)

In the end, there is usually more than one finalist in our tree selection. Since nobody can quite agree which one would look best in the living room, and since the cutting permit includes up to three trees, both of our top choices are cut down with Dad's orange saw and carried on shoulders back to the car. My Dad's former career as a tall-ship sailing instructor reasserts itself, as he ties both trees to the roof of our van, using an ingenious assembly of ropes, cords, and clever knots. The rest of the family huddles in the car, heaters at full blast, the mountain dusk settling around them.

Once home, gators and boots are scattered around the door, as each tree takes its place in the witness box of our living room. The winning specimen is mounted in the tree stand, while the looser suffers the ignoble fate of being hacked to pieces and served up as firewood. (A resting place that the victor, twelve days later, will also join; a reminder that despite our conquests and victories, the grave will swallow us all.)

After the honoured tree is given a chance to let its branches rest and recover their natural figure, my dad gets the honour of trying to fix our string of white lights, while we all sit around hoping and praying that they actually work. (This happens every year. Never have we thought ahead and  purchased a new set.) When the string finally comes alive, a cheer goes forth and Dad tastefully drapes them on the branches, the tip of the tree always receiving its own single bulb. I, being the tallest, always get the honour of mounting that branch with the straw star, symbol of my childhood.

By now, the rest of the family has attacked the tree with our 20 year old collection of ornaments, a mixture of small, tasteful decorations from my childhood (at least, those that have survived this far) - each one conjuring the very spirit of Christmases past - along with the larger, tackier objects that were received as gifts in the years since. (I'm surprised my minimalist mother hasn't thrown them out by now.) Last year, my brother insisted on including every single Christmas ball he purchased from thrift stores over the year. I hope this year he's grown out of that fancy.

The finished tree, lit and tinkling, with splashes of gold and red, is ready to provide the backdrop to an evening filled with the aromas of French onion soup, stories and read-alouds with our 93-year-old grandfather, and the rest of the family happily exchanging gifts.

And that is how the tree arrives in our home; at least, usually. Certain years, when everyone is sick, Mum just goes to Greengate on the 24th and picks up, discounted to $5, the tree that has the most live needles (picking it up by the trunk and stamping it on the ground is the best way to tell).

I would love to have posted a cozy photo of the Christmas tree on our car, admidst the falling snow; but this year, I stayed home, rested from my cold, and wrapped presents.

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Island: A Photo Series

While sick in bed this autumn, I edited the following series of photographs from my summer vacation to Hornby Island. I'm especially happy with the way the colours flow throughout the series. Enjoy!

Patterns for Daily Prayer: Excerpts from Timothy Keller’s Book on Prayer

Over the summer I slowly read Tim Keller's volume Prayer: Experiencing Awe and Intimacy with God. The practice of prayer, once a distant and unreachable goal for me, has over the past year and a half become something almost achievable. My pastor Gavin Peacock has encouraged this desire in me and last year I learned the value of meditating on the words of scripture as a bridge into my own prayers. Tim Keller's book, in addition to providing an overall theology of prayer, furnished me with a number of tools that I am implementing into my prayer life.

These tools are contained in only certain sections of the book, and I was tired of trying to locate those sections every day. So I created this PDF document containing these key sections so I could quickly refer to them. It includes:

1. Martin Luther’s “A Simple Way to Pray”

2. A Summery of “the Prayer of Prayers” (the Lord's Prayer)

3. John Owen’s Three Basic Movements, or Stages, Within Mediation

4. Tim Keller’s Pattern for Daily Prayer

5. Morning Prayer

6. Evening Prayer

7. A Starter Plan for Daily Prayer

8. A Daily Office of Three Set Hours of Prayer

9. Daily Prayers Based on the Prayers of John Calvin

I'm posting this guide for others who have read Prayer and would like quick access to these sections of the book. Implementing these habits has already born fruit in my life and I encourage you to read the book and join me in them.






 

Enumeration No. 1

I’ve followed rapper Whitelotus on Instagram for a number of years. Occasionally he would comment on a photo, adding a line of poetry that would breathe second life into that image. I enjoyed these spontaneous collaborations so much that we decided to work together on something more official. We now present Enumeration: A Collaboration. Whitelotus chooses from a selection of my images, creating a sequence of poems to pair with them. Below is the first sequence, Enumeration No. 1. Join us by following along on both of our Instagram accounts (@realwhitelotus and @djmelvill; let us know what you think. (You can also download this first sequence as a PDF here.)

image.jpg

one.

may we be found in our own journey : we are chasing phantoms : we are elated from within : we are folded about ourselves : in the hope of finding higher ground, we are submerged in our being

 

 

 

 

two.

we are led to the water : we are of the finest silk and lightest threads, sifted through the filter of our perception : we are aware of more that what we sense : we can feel it

 

 

 

 

 

three.

cut into the dampness of the minds eye, we are running : petrified state of glorious ambush : led into the darkness : we are being guided by our intuition

 

 

 

 

 

1.4

four.

all things come to us as a surprise : we are being led to it : impermanence, we are foundered by it : we are lost in contemplation

 

 

 

 

 

1.5

five.

it is a ghostly renunciation : past blood and by waters, we are being watched : the sensation of union is fleeting : the emptiness embraces us and becomes our watcher

 

 

 

 

 

Snaps for Props

Last night I attended both my first spoken word concert and my first hip-hop show. Propaganda performed one set from each category at an event supporting Calgary's own Legacy One outreach program. Although I've been a fan of Propaganda for some time, seeing him live and hearing him perform poetry left quite the impression. Let's see if I can capture in words the flavour of the evening. Here is a tribute to that night. 

His is a poetry not divorced from thought or feeling. It is joyous, words not only enflamed from the brain but rattling in the bones, alive to life’s pain yet aware that man is not alone. He won’t let you off the hook, nor himself either. Eyes wide open, will you join him? “Oh,” he tell us, “we got problems with race, don’t deny it or be amazed. Our education system’s a mess, stop acting so impressed. But our deepest issue is found right here in my tissue. My heart and my mind are defaced, yet I’m gonna speak of grace. I’m aware of it, through our King who is incarnate. See, I’m redeemed but far from perfect. I can’t change the world but I can touch it. I’m alive to His beauty ‘cause I’m confident in His sovereignty.” Having heard him, our minds are enlarged, our hearts are renewed. We return to our homes exhausted, refreshed, reminded that this messy, complicated life can be redeemed, for our God is our banner.

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The Good Dinosaur (2015)

I've been asked by the folks at Reel World Theology to contribute a film review from time to time. It's been over a year since I've written in-depth about the movies so I was happy to oblige with a review of Pixar's latest, The Good Dinosaur. Below are a couple paragraphs to wet your appetite before you read the entire review.

"As someone who grew up shouldered by the Rocky Mountains, next to towns where Unforgiven and Brokeheart Mountain were shot, I recognized the landscape captured so well; the deep blues and greens of mountain river waters, the dusty greys of its sandy silt, and the glorious oranges of the virgin birch forest. I also recognized the dangerous menace of the quickly approaching mountain storm, as well as the haunting vastness of the wilderness. Whenever I travel into the mountains I return refreshed and in awe—of something, or Someone, who is far greater than me. Something untamed. Such is true in this movie too.


In The Good Dinosaur, this wildness (call it creation or call it nature) is the main character. Everyone and everything else is just the backdrop. I left as refreshed by this scenery as I do when I visit the real mountains, or when I watch films like The Thin Red Line, The Lord of the Rings trilogy, or the 1978 animation of Watership Down. These movies are alive to wonder and aware of terror and The Good Dinosaur joins their ranks."

Read the whole review and then, if you've seen the film, let me know your thoughts in the comments below.

GoodDino2

Desert Island Artists

There is nothing like sinking your teeth into an excellent musician’s back catalogue. The journey of discovery usually begins by falling in love with a single album, spending hours unpacking its lyrics, examining its riffs, and enjoying its virtuosity. Just that one album can be a priceless gift gift, but when you discover that they’ve released other music just as worthy, that journey is like a slow burn of Christmas mornings. An artist with such riches is one I would happily explore forever, an artist that would satisfy for a lifetime, even if the rest of your music library is removed. A desert island artist. I love lists so here are my top five such desert island artists.

PaulSimon

Paul Simon

One day some colleagues and I got into a major disagreement over who had produced better music, Simon and Garfunkel or Paul Simon. I proposed, and was ridiculed for my opinion, that Paul Simon’s music has a depth that surpasses the youthful melodies of the famous folk duo. You could give me just his two world albums, Graceland and Rhythm of the Saints and I would have enough complexity of beat and elegance of lyrics to keep me happy for months. But even his recent 2011 album has tracks like ‘Rewrite’, which is my definition of a perfect song. Unlike his earlier efforts, Paul Simon’s best music is a certain intrinsic selflessness, which is why Sammy Rhodes described Graceland as “so full of joy it practically dares you to be sad.”

Start with: Graceland

Sufjan

Sufjan Stevens

One of the great things about Sufjan Stevens is the diversity of his music. Watching it progress over his career is quite a journey. His early lo-fi folk, with its almost medieval flare thanks to the horns and flutes, gave way to an orchestration, complete with choral rounds and chants. Then there is his electronic phases filled delightful, if sometimes obnoxious beats and patches. His recent offerings combine gentle electronic with a light folk that has me eager to see where it will evolve next. But it’s his lyrics that haunt and comfort me. A friend of mine describes one song, Impossible Soul, as the best song to listen to when your depressed. It meets you in your sorrow, cheers you up, and then reminds us that our depression is probably rooted in our own selfishness. And I supposes such is true of his entire discography.

Start with: Come on Feel the Illinois, or Songs of Christmas (depending on the time of year).

Josh

Josh Garrels

Josh Garrels is a songcrafter. He’s honed his arsenal of tools and what are a rare mixture they are. He is just as comfortable using organic samples and beats as he is with sparse guitar picking. His voice is equally at home dispatching hip-hop flow as he is soul-stabbing falsetto. This package is wrapped into a lush soundscape that tells stories of heartache and home, the dangers of the wilderness and the contentment of redemption. His are songs I can nestle into and live my life amongst.

Start with: Love & War & The Sea In Between

HumbleBeast

Humble Beast

True, technically a hip-hop label. But the group’s four artists, united by the label’s lush, acoustic driven production, sit on equal footing in their talents and upon my musical shelf of honour. I turn to Beautiful Eulogy when my soul is dry and my heart is broken, and they restore me in the hope of the Gospel, my cheeks often getting wet in the process. Propaganda is a modern day prophet, preaching into his culture while restoring hope in his community of Los Angeles. Jackie Hill Perry intricate wordplay produces a cracked mosaic drawing us to seek joy in the Lord. And JGivens’s depth of lyrics and intricate soundscapes tell a multi-layered story as complex and as simple as life itself. To say that their music has impacted my life is an understatement.

Start with: Fly Exam or Crimson Cord

Open Slot

I know, I know, this is cheating, but honestly, choosing this artist would depend on what I’m most feeling on the day of my island banishment. Would it be U2 (with lots to explore, not to mention two of the best albums ever recorded, The Joshua Tree and Achtung, Baby)? Might I choose Elbow, whose maundering chords and rifts I can sink my teeth into? Or would it be a perineal favourite, Jars of Clay? Right now I would probably opt for Bob Dylan. His talents remain undiminished, his back catalogue offers so much to explore, his broken voice satisfies in ways normal polish just can’t, and his musicianship and storytelling can fill a lifetime

Start with: U2's The Joshua Tree, Elbow's The Takeoff and Landing of Everything, Jars of Clay's The Long Fall Back to Earth, and Bob Dylan's Oh Mercy.

So there they are, my five(ish) desert island artists. Who would you choose? Please share - maybe your suggestions will result in the rest in a new journey of discovery for the rest of us.

Scriptures Shaping Community: A Visit to The Bible Project

Many of the topics I discussed with Tim Mackie did not make it into this final essay.  I've published the full transcript of that fascinating interview here

I arrive at Door of Hope church in northeast Portland shortly after its first service begins at 8 a.m. As I open the red doors I hear an upbeat rendition of one of my favourite hymns: ‘On Jordan’s Stormy Banks I Stand.’ A six piece band plays with simple precision and although the congregation has the clothing styles and facial hair one would expect from Portland,  I’m surprised at the diversity of ages. Tim Mackie preaches, but his conversational style is more akin to teaching. As he walks us through a passage from Matthew, his care for the congregation and what he is expounding is obvious. As he tells me later “the Bible is a living thing and the whole point about why I care about it is the way it shapes people and communities for the Kingdom of God.”

And shape people it does. As I listen, my preconceived way of thinking is confronted by the teachings of Jesus. After Tim concludes his message the band plays a song written by a member of the congregation. I’m challenged and comforted by the lyrics, “oh Love that breaks all sinful bonds, please conquer more of me.” I leave, encouraged to trust Jesus as I face my uncertain future, and the second of three services begins. The building is packed and the congregation is asked to give up any extra chairs in order to accommodate the people who are still arriving.

 
Tim preaching from Matthew 16: 1-12; "Oh you of little faith, why are you discussing among yourself that fact that you have no bread?"

Tim preaching from Matthew 16: 1-12; "Oh you of little faith, why are you discussing among yourself that fact that you have no bread?"

 

An animated walkthrough of "God's Holiness" Want to see more? Our Website: http://www.jointhebibleproject.com Say hello or follow us here: Twitter: http://twitter.com/joinbibleproj Facebook: http://fb.com/jointhebibleproject The theme of "Heaven and Earth" begins in the first verse of the BIble: "In the beginning God created the Heavens and the Earth."

Door of Hope is one of the reasons I’ve come to Portland. I heard about the church through its music (Josh Garrels is one of the elders) and through Tim Mackie’s work at The Bible Project. The Bible Project is a series of crowd-funded videos that offer animated explanations of the books of the Bible. They are beautifully presented, clear to understand, and use a form of communication that is open to anyone, regardless of your religious or cultural background. I’m eager to learn more about the creation of these videos. I’m also intrigued by the number of ministries in Portland that embrace creativity as way of sharing biblical truth; so I arrange a visit with the other half of The Bible Project, Jon Collins

Jon invites to me to visit Sincerely Truman, a communications consulting company that The Bible Project is based out of. Their building is located across the river from downtown Portland, in a former industrial neighbourhood that includes Stumptown Coffee’s headquarters. The space breathes creativity and collaboration, from the endless sketch-filled whiteboards, to the bar featuring local brews and three Chemex's working in rotation. 

 
Sincerely Truman, an open office filled with tables rather than desks and where couches are as ubiquitous as sketch-filled whiteboards.

Sincerely Truman, an open office filled with tables rather than desks and where couches are as ubiquitous as sketch-filled whiteboards.

 

Jon originally wanted to be a pastor before realizing that he was too young for the job. Putting his communications degree and storytelling skills to use, he co-founded Epipheo, a company that produces videos that “reveal epiphanies to people”. Out of Epipheo Sincerely Truman was born. Jon describes his strength as “distilling information.” He learns everything he can about a client (a local brewing company or a charity dedicated to diagnosing blindness), clarifying the details into a package his team will use to create everything from the company’s logo to their website. 

Jon and Tim became friends while interning together during university. Tim, a self professed Bible geek, was studying Hebrew and taking any opportunity he could to teach — Sunday School, student classes in university, even a series of self-produced videos featuring him and a whiteboard explaining the literary structure of each book of the Bible.  It was while Tim was working on his Ph.D. that Jon, who had built his career around making videos, pitched an idea: “What if we did some Bible videos together?” When Tim returned to Portland to pastor Door of Hope, he and Jon started meeting once a week. It took a year and a half of those meetings to flesh out the scripts, develop a visual style, and decide on the crowd funding model. Door of Hope’s donated one day a week from Tim’s schedule, providing initial support until the crowd-funding model gained momentum upon the launch of their first video.

 
Tim and Jon plan the outline for the yet to be released Proverbs video, part of their Read Scripture series of videos.

Tim and Jon plan the outline for the yet to be released Proverbs video, part of their Read Scripture series of videos.

 

Tim arrives. He and Jon sit down in a restaurant style booth that provide the perfect spot to brainstorm and they work on the outline for an upcoming video on the Book of Proverbs. Tim already has a script in place and a rough outline for what will become the finished video. The two spend almost an hour together fine tuning and clarifying the outline. Watching this process, it becomes clear why they make such a good team. Tim is prepared with a script and a sheet of paper filled with a rough outline, well equipped in his knowledge of how to read and understand this book. As Tim walked through his plan for the video he would ask Jon to clarify the best ways to visualize the information on the page. The finished product was much clearer following their collaboration. It was also a pleasure to see how interested Jon was in having his understanding of the Bible strengthened through these conversations, which is also apparent when you listen to their podcast

It takes several drafts before arriving at final poster used in the video. An example what such a poster looks like when finished can be found here.

It takes several drafts before arriving at final poster used in the video. An example what such a poster looks like when finished can be found here.

Unlike many arts and faith organizations, folks at The Bible Project, along with other Portland creatives like Humble Beast and Josh Garrels, are faithful to their art while being truthful to the Gospel. A common element seems to be their location in Portland, which surprises me. My experience on the rest of the West Coast has left me with the impression of a creative but spiritually vacant region. I ask Tim why Portland is different and if there is a common thread tying these ministries together. As he ponders the question I remember my experience at Door of Hope yesterday. “Is it something to do with the healthy churches?”

“For sure.” he answers. “To be honest, it is a huge piece of it. Door of Hope is one of a network of churches planted in the core of Portland during the last decade and a half. It was something significant, part of a new wave of younger, more innovative church planters who were really trying to engage the culture of the city.” He names about a dozen churches of various sizes and denominations, describing the collegiality and friendship amongst the pastors. “Among all of us there is a common focus on discipling people who are engaging the culture of the city with their careers. And so 15 years in, you see the fruit of that through a business like Epipheo or Sincerely Truman, or a ministry like Humble Beast.” This even applies to Portland’s thriving coffee scene. “The coffee industry in Portland is riddled with really, really committed followers of Jesus. Among the main roasters there is a core that are owned or managed by Christians.”

We then make our way downstairs into the basement of Sincerely Truman and into The Bible Project's headquarters. One wall consists of a giant whiteboard where a complex timeline of video titles, assignments (“Record, Illustrate, Edit, Launch”), and schedules are organized. A row of desks house a team of about 9 people, all of whom are quietly working. The walls are covered with posters from the Sketchbook series, frames from films like Song of the Sea that are inspiring the project’s style, and bookshelves filled with Bible commentaries.  Tim pulls up a chair next to Mac, a storyboard artist, and together they begin illustrating the Proverbs video. I chat with several members of the team. Robert, the art director, tells me about his work maintaining a constant style amongst all the projects. Kayla, an animator, shares some of the influences for upcoming videos. Guy, who’s working on visual effects, tells me about his journey prior to joining The Bible Project and his experience with the churches in Portland. I even chat with Jon’s mum, who is volunteering her time by helping send out posters to monthly sponsors. 

 
Tim and Jon now bring the video's outline to Mac, who does a rough sketch before polishing it up and sending it to the animators.

Tim and Jon now bring the video's outline to Mac, who does a rough sketch before polishing it up and sending it to the animators.

 

“You need to find a way for your vocation to overlap both inside and outside the church” Tim tells me. “The way we’ve done it at Door of Hope is that we all have significant creative projects on the side to keep us engaged in our areas of interest. So [our worship pastor] Evan has a band that is quite successful here in Portland. He tours regularly and just fits that into his life while being full time at the church. There is a value of weaving your life into the culture of the city but having it overlap with the culture of the church, as opposed to being very separatist or distinct.” I’m seeing an example of this principle as Sincerely Truman, a secular company, parents this very Christian endeavour. 

What’s the future for the project? Plans are in place for a series explaining how to read the various literary types of the Bible. Tim wants to tackle the making of the biblical cannon and the history of the book. Jon’s dreaming of a Holy Land tour in a hybrid of animation and onsite footage. Ultimately, their vision is that The Bible Project’s YouTube’s channel becomes a centre for learning with hours upon hours of free content for anyone who wants a Bible education.

 
A partial view of The Bible Project's headquarters. Turning around, one would see the desks of the animators along with more shelves of books.

A partial view of The Bible Project's headquarters. Turning around, one would see the desks of the animators along with more shelves of books.

 

I wonder if their visual approach will pull viewers away from the word-centred faith of the Bible. “We’re not trying to replace people’s experience with the Scriptures” Tim explains. “We areproviding a tool that makes them coherent, understandable, and approachable. If anything, one of my goals for the videos is that someone watching them will come away thinking “now I want read the book of Genesis.” But at the same time the Scriptures are united to living church communities that are themselves being shaped by the Scriptures, — encountering Scripture within the web of relationships with other disciples.” In fact they regularly hear from churches from around the world who are using the videos as tools for doing just that — hence the study guides the team are producing.

The afternoon is getting late. Before leaving, I thank Jon, Tim, and the rest of the team, Tim says “I hope this visit has been invigorating.” Indeed it has. I’ve seen a healthy, gospel centred church bearing fruit in its community through ordinary discipleship. Out of that fruit is born a ministry of creativity; men and women using their skills in both the church and the world. Their ministry, one video view at a time, is impacting lives around the world; even my own life in Calgary, Alberta. Perhaps there is hope for my city too. I leave encouraged and renewed in my calling to be faithful at home amongst my church and in my community.

Arbutus: A Photo Series

One of the highlights of my vacation to the West Coast this summer was spending a couple afternoons and evenings wandering Helliwell Provincial Park. My backpack was filled with snacks, water, a sweater, and a Mophie juicepack. I would listen to my Wendell Barry audiobook while wandering along the beach, or through the forest, or across the cliffs. Regularly I would pause, under a giant oak tree or amongst a glade of arbutus trees, and pull out my book, a biography of George Herbert. And of course, my iPhone's camera accompanied me everywhere.

There are many arbutus trees on Hornby Island. The arbutus is my favourite tree. It is filled with character and with potential for images. This series of five images, all taken in or nearby Helliwell Park, was photographed with the app AverageCamPro and edited with VSCO Cam. I hope you enjoy. 

Sustained

The third of a three part series on suffering. The story began in Stripped, continued in Pruned, and concludes here.

“Remember this, had any other condition been better for you than the one in which you are, divine love would have put you there.”

~ Charles Haddon Spurgeon

One of my favourite musicians, a spoken-word and hip-hop artists called Propaganda, released a song last year called Crimson Cord. Its verses, recounting tales of abandonment and moral failure, are contrasted with the repeated chorus: 

The pain that guides us
The strings that tie us
The coincidence that proves to us God's existence.
Joy we misplaced
Beautiful mistakes
The scarlet thread
The Crimson Cord.


Wear your scars out loud
That's the fingerprints of the Lord
A crimson cord, baby, a crimson cord.
A timeline, a scarlet thread
A crimson cord, baby, a crimson cord.
Let me celebrate your crimson cord.
And that's beautiful, a crimson cord.
No regrets, boy, a crimson cord.
Evidence of God's love, that's a crimson cord

The point of Prop’s song seems strange. How can such discouraging stories result in a chorus and, ultimately a song, so hopeful? Propaganda is looking beyond what is glaringly obvious in the here and the now. He looks through the lens of faith and sees a God who is at work and is redeeming the brokenness, even using it, towards something good. 

In my previous entries in this series on suffering, I described the troubles of my past year. One afternoon, at the height of these struggles, I found myself on my lunch break thoroughly discouraged and almost despairing of any hope. 

But like the beam of light from Galadriel’s phial that encouraged Frodo in his darkest hour, I remembered Psalm 118:17: “I shall not die, but I shall live, and recount the deeds of the Lord.” I began to remember all the small examples of God’s kindness during this period, the small knots on the rope I was hanging onto. I recalled the timing of my diagnoses, the wise council of my parents, and precious conversations with my pastor Gavin giving me guidance and encouragement just when I needed it. I recalled the moral support from friends at work, the understanding of my boss, and words of wisdom from friends at church provided at just the right season. I recalled the conversations (mentioned earlier) with my pastors and even the music from Josh Garrels and the quotes from books that proved so timely. I recalled my own Crimson Cord. 

Here is another example, another knot from this scarlet thread. Over the last 12 months my church offered a “book of the month” for our congregation to read and discuss. The book for the month of May was the puritan Jeremiah Burroughs’s ‘The Rare Jewel of Christian Contentment.’ No doctor could have ordered a better medicine for my soul. I’ve already quoted excerpts from this work that spoke strongly to me. Several nights I would leave work having received a particularly devastating piece of news and think to myself; “the only way I can handle this is to go home, cry, then read another chapter of Burroughs”. I clung to the volume’s comfort and wisdom as it counselled, consoled, and built me up in the strength of the Lord. How kind of the Lord to have this reading assigned at just such a time!

As I write this, it is early October, five months since these trials were at their peak. Life still isn’t easy. Certain issues have been resolved, others I continue to struggle with. I’ve gone off and had other adventures and the Lord has taught me new things. I look back on this time of suffering and I remember the darkness. But I also recall a certain strange sweetness. The Lord was good. He provided. He brought those trials upon me and, in the end, I am glad for it.

At the beginning of 2015 I read I book of essays examining the influence of C. S. Lewis. In one, theologian Kevin Vanhoozer described a certain vocabulary Lewis repeatedly used. “For Lewis, waking is a way of describing one’s conversion, a coming to new life. The Christian life is all about wakefulness. Theology describes what we see when we are awake, in faith to the reality of God, and discipleship is the project of becoming fully awake to this reality and staying awake.”

That concept of describing the Christian life as “the project of becoming fully awake to this reality and staying awake” has stuck with me and churned its way through my thoughts this whole year. I become so focused on the here and now. My way of thinking defaults to that of the world around me, which feels so real and is so all-consuming. But it is not ultimate. It is, in fact, the “shadowlands”. That is not to say it is not real, or does not matter. It matters very much, for it is made by God and is in fact the theatre of God’s salvation, the world in which we learn to be in awe of him even more. 

But when my eyes get lazy and when I fail to see God at work, I then walk around with my nose to the ground, stumbling over roots and rocks rather than beholding the vistas of greatness all around me. So I need discipleship. I need community to alert my to the unseen and align my vision with that of God’s Word. I need to reorient myself daily in the Bible and seek the face of God in prayer, and then I need to continue to be awakened throughout the day. 

“I believe” cries the psalmist.  “Help my unbelief!”

So I’ll continue to seek God’s glory. Not by just by aiming to succeed in lofty accomplishments, but by a life of what my friend calls “radical ordinariness”. A life of seeking his face through prayer. A life of seeing his face clearer by fighting remaining sin. A life of bearing fruit. 

Fruit

Pruned

The second of a three part series on suffering, continuing the story that began in Stripped.

“Contentment is taking pleasure in God’s disposal. This is so when I am well pleased in what God does, in so far as I can see God in it, though, as I said, I may be sensible of the affliction, and may desire that God in his due time would remove it, and may use means to remove it. Yet I am well pleased in so far as God’s hand is in it.”

Jeremiah Burroughs, The Rare Jewel of Christian Contentment

One of my pastors, Gavin Peacock, regularly reminds me that “God doesn’t waste anything, including any period of your life. He uses it all.” During these recent troubles I’ve found this to be true. I certainly haven’t liked these times of trials. But looking back, I’ve realize how much I’ve grown through them. I now see that, though bitter the taste, I would not choose to trade these events for something easier. They were given to me for a reason. I’m like a child who hates learning how to read, and the Lord is like a wise tutor who says “yes, this is hard, but it is training and you will thank me later.”

As the exhaustion of work and medication trials set in, many of the things I wanted to do had to be put aside. This of course included school and opportunities at work, but also the many ways I could support my church, writing opportunities (my website and requests from others), and other personal creative projects (a new podcast a friend and I mapped out and a series of interviews). I mentioned last time how this experience humbled me, bringing me face to face with my inabilities. But I still felt like I was wasting the resources given to me by God. With frustration I complained, for are we not commanded to bear fruit? Could I not offer something to show for the life I had been given?

I brought this conundrum to Gavin one day. He had me imagine a tree that is producing lush apples. If this tree starts to focus on these apples, channeling all its resources into what they look like and how well they are growing, it will eventually run out nutrients, wither, and die, killing itself along with its fruit. Instead, the tree would be wiser to focus on its roots, digging deep into the good soil, bringing nutrients to the entire tree. Then fruit will then come, unbidden and unlooked for, freely offered to whoever needs it. That truly is the best kind of fruit.

Later, my pastor Clint Humfrey brought to my attention Jesus’ words in John 15:2: “Every branch in me that does not bear fruit [the Father] takes away, and every branch that does bear fruit he prunes, that it might bear more fruit.” To the branch who wants to bear fruit, being clipped by sharp shears seems counterintuitive. Compare a wild tree to a freshly pruned tree. Which tree seems healthier? The wild tree appears to be more productive; notice the healthy foliage it grows in every direction and the multitude of branches, complete with small apples. In contrast, the pruned tree looks naked and bare, perhaps even bruised and bloody. But the Farmer knows his trees and through his pruning he is preparing growth that will result in fruit far better than what the tree would bear on its own.

This illustration, brought to me by my pastor from the words Jesus himself, has brought me much comfort. Again and again I’ve told myself “Trust the Farmer, Daniel. Be encouraged by the painful pruning!” “The branch that does bear fruit, he prunes, that it might bear more fruit.” God is pruning because he realizes the tree’s potential. He prunes because He has better plans for that tree, plans that position him in His garden of foliage.

The story continues in Sustained.

Pruned

Stripped

The first of a three part series on suffering. 

“We fear God will let us down. So we fall back into scurrying about to fill our emptiness with our own resources. But God graciously lets us wear ourselves out, and these efforts come to nothing. Life exists not in us, but in Christ alone and Christ fully. We live in him.” 

“There will be times in life when we feel that everything is falling apart. But such times can crack open our hearts to depend on the living Christ as never before, to always place our endless need before his endless supply.”

-Ray Ortlund, The Gospel: How the Church Portrays the Beauty of Christ

Friends, this website was quite for a long time. But 2015 was a hard year.

It could have been worse. I’m not out of work (although my job title has changed). I’m not dying of cancer (although a friend did just that). I’m not falling into depression (although I’ve received heath diagnosis that has been momentous to wrestle through). But suffering is suffering, and I’ve experienced some these past months. Everyone experiences trails. These occur in differing degrees of intensity, but how one chooses to handle them can be consistent. So I intend to share some of my experiences and what the Lord has taught me through them over a series of three posts, titled “Stripped”, “Pruned”, and “Sustained.” May they encourage you and may they magnify Him.

In February I received a mental health diagnosis, revealing major weakness that run to the very core of who I am as a person. Initial results of the diagnosis had me cancelling travel plans to visit a university and compete in scholarships, but such losses were least of my concerns as the long term effects of a medical trail sunk in. Not only was my brain and body being rewired by medication, but I was forced to reckon, often in public, with hard truths of who I was and how much I had to learn. It was humbling, strange, and scary.

In the months that followed, as the meds sapped my energy and rewired my personality, I had to let things go. First to leave was my internet presence. Writing reviews, applying for school, and posting articles on this website faded as my energy level allowed for not much more than three things; work, sleep, and rest at home. 

Then, in the space of one brutal week, three heavy blows were struck. On Thursday, a relationship with a very close friend changed, leaving much that I desired unfulfilled.  The following Tuesday I received the news that, due to failures at work, my job, which meant so much to me, was also to changed. And then two days later, we received the news that a young friend had died of cancer, a loss that struck heavy like humid skies.

During that hard month of May, I listened again and again to an album Josh Garrels had recently released. One song, “Leviathan”, seemed written just for me.

“All my life, all I’ve done.

Falls apart, is undone.

Built a tower you tore it down.

I am weak. You are strong. 

Who can tame Leviathan?

Yaweah gives and takes away.

Will you curse of bless the Name?

Trails test us like the flame.”

I was confronted with my own inability, but I began to see that such confrontation was in fact a gift, a realization that I, contrary to all of my self-imposed greatness and ability, am not God. I am only a man, and a broken and damaged man at that. God may have given me talents and abilities, successes and opportunities, but when these gifts puffed me up, they were taken away by the very hand that gave them. So these humbling circumstances were, in the words of another Josh Garrels song from that album, “wounds from a friend, severe mercy.” As I learned, and hope to share in more depth next time, such wounds are only given out of love, only to those whom the Lord cares for enough to discipline (Hebrews 12:6-10, Revelation 3:19). 

Here is another realization that came from this period; If I am not creating, or producing something of value, I despair. If I am not achieving something, or working towards a goal, I worry that my life has no lasting value. So to pretend that my efforts amount to something, I keep a list of every book I read. I watch movies only if they are worth watching (and preferably only if they are on my IMDB watchlist so I can check off one more thing). I’ve never cared for sports trophies that so easily dust, but achievements like internships in high school, career success at a young age, and even the existence of this website were mental belt buckles that my mind had prized and polished again and again.

All this toil. But what does it amount to? In the end, none of these things matter before God. All of them will fade like dust, and be revealed for their selfish motives. Only my position as redeemed in Christ can save me on judgement day. 

Not what my hands have done can save my guilty soul;

Not what my toiling flesh has borne can make my spirit whole.”

So if my achievements are taken aware, is Christ enough? In him I am to find my identity, not in my position at work. My persona is not to come from being someone who is educated, or artistic, or creative, or sophisticated. My worth is not in my skill at words, or speaking, or understanding, and even the ways that these skills are being used. It is in Christ. 

The words of Jeremiah Burroughs sum up this entire experience well.  “[The Lord] often makes the fairest flowers of man’s endeavours to wither and brings improbable things to pass, in order that the glory of the undertaking may be given to himself.”

The story continues in Pruned and Sustained.

Stripped

Twenty-Three Years Old

Originally written September 3rd, 2015

 

"But I trust in you, O Lord;

I say, “You are my God.” 

My times are in your hand"

~Psalm 31:14-15a, 

It was a year of struggles and disappointments, cutting deeper and longer than any I've felt before.

It was a year of yearning and waiting, being taught to trust the hand of the One Who works all things.

It was a year of growth and endeavours, quiet and unlooked for, sweet in their steadiness.

It was a year of goodness in the Gospel, of tasting that which is yet unseen.

And so I'm being conformed to the image of His Son, for in Him is the consolation of every heartache and the aim of every endeavour. He winds them all that they may spin to showcase Him. And in Him I am satisfied.

Twenty-Three Years Old.

IMG_5233.JPG

An Exposition of Mark 4:35-41

During the summer of 2015, I took part in a course held at my church called Understanding God's Story. Its goal was to teach the basics of biblical hermeneutics, a fancy word for understanding what a passage of the Bible means and how to apply it to our lives. As an assignment, we were given a short story from the Gospel of Mark and were asked to prepare a Bible study or talk unpacking the passage's context, message, and application. 

It was satisfying to take a passage of Scripture I have heard or read a hundred times and get under its skin and better understand what it was trying to say. I thought it would be fun to post the finished results here. (The picture I included because it's kind of epic and comes from my childhood picture Bible.)

 

“On that day, when evening had come, he said to them, “Let us go across to the other side.” And leaving the crowd, they took him with them in the boat, just as he was. And other boats were with him. And a great windstorm arose, and the waves were breaking into the boat, so that the boat was already filling. But he was in the stern, asleep on the cushion. And they woke him and said to him, “Teacher, do you not care that we are perishing?” And he awoke and rebuked the wind and said to the sea, “Peace! Be still!” And the wind ceased, and there was a great calm. He said to them, “Why are you so afraid? Have you still no faith?” And they were filled with great fear and said to one another, “Who then is this, that even the wind and the sea obey him?”          

~Mark 4:35-41 (English Standard Version)

From the very first phrase of this story, “on that day, when evening came”, we are forced tounderstand its context. Which day is Mark referring to? The author, in his quick-paced, fast-cut storytelling, makes it tricky to discern when exactly this day began, but a glance back through Mark 4 tells us that Jesus, after a busy season of miracles and interactions, had spent the day teaching to a very large crowd gathered around the sea of Galilee, followed by private explanations of these teachings to his disciples. That day has now ended and Jesus is clearly exhausted, so he asks his disciples to take him across the sea in their boat. As professional boatsmen, the disciples set about this ordinary task, allowing the exhausted Jesus time for some much-needed sleep on the boat's cushion (probably a heavy basalt-type bag). 

Sudden windstorms are common on the Sea of Galilee and one quickly appears. The disciples would have been used to such waves, but this storm quickly grows beyond their control. They are now fearing for their lives. Waking Jesus from his deep sleep, they accost him in verse 38 (“Teacher, do you not care that we are perishing?”) There is sense of irony to this accusation. Isn’t Jesus a guest in their boat? Aren't they the professional sailors? Yet here they are, demanding from their passenger perhaps not a solution, but least some wakeful sympathy.

Jesus wakes up and “rebuked the wind and said to the sea, ‘Peace! Be still!”  The word “rebuke” is an odd one to use in this context. One rebukes a child who is acting immature in front of dinner guests, not the wind and the sea for showing their power. The word used here means to “express strong disapproval of someone; to warn.”  It is as if Jesus were the master of an estate chiding his dogs after they’ve terrified his guests. “Be quite! That will do!”. Once ferocious, the animals are now in submissive control.  And indeed, at Christ’s command "the wind ceased, and there was a great calm.” 

“Calm” is an appropriate phrase to describe what must have followed. One can almost picture the silence in that moment; the crashing waters slowly returning to an evening ripple, the boat’s wild plunging replaced by a gentle rocking; the disciples catching their breaths and then staring wide eyed at their master who now asks a simple question. “Why are you so afraid? Have you still no faith?” 

By asking these two questions Jesus seems to imply that the disciples should have known that he had this power and should have trusted who he is. Why should the disciples have known this? Specifically, why does Jesus use the word “still”? Flipping back through the earlier chapters of Mark, we see that Jesus had already revealed his wisdom and authority through his preached word, by healing many who were sick, and by casting out many demons (whom he warned not to reveal his true nature). And regularly Jesus would hint at his identity, most clearly in the healing of the paralytic in Mark 2. We are still four chapters away from Peter’s definite statement that Jesus is “the Christ, Son of the Living God”. But Jesus has already revealed his power.

Jesus’ rebuke in verse 40 implies that the disciples were missing something. Taking a closer look at the long portion of Jesus' words that precedes this story, we see Jesus explaining to the crowd, then in fuller detail to his disciples, the nature of the kingdom of heaven. Again and again he talks about hearing; “listen!” in verse 3, “he who has ears to hear, let him hear” in verse 9, “hear the word” in verses 16, 18, 20, and “pay attention to what you hear” in verse 24. The definitive statement is to his disciples in verses 11 and 12: “To you has been given the secret of the kingdom of God, but for those outside everything is in parables, so that

“they may indeed see but not perceive,

and may indeed hear but not understand,

lest they should turn and be forgiven.”

With this context in mind, how can we interpret the disciples's behaviour? They have been around Jesus enough to see his power and authority. They have been chosen by him and are committed to following him. During their time of teaching on the shore of Galilee they were warned to pay attention, but when on the surface of that sea they did not see, or remember, in Whose presence they were in. They saw but they did not perceive. 

This awakened realization is driven home by the next sentence. “And they were filled with great fear and said to one another, ‘Who then is this, that even the wind and the sea obey him?’” Earlier the disciples were described as “afraid”, using a word which means “lacking confidence, cowardly, timid.” Now, in the safety of the tamed environment they are filled with “great fear” (meaning “the product of an intimidating/ alarming force”) because of their new understanding that this man in their presence rules and controls the wind and the sea. 

Later the disciples and those around Jesus would learn more reasons to fear him. There will also be more examples of how the disciples would continue to “see but not perceive” whom they were with and the purpose for which he was amongst them. But in this story, Mark’s point is clear. The disciples who spent time with Jesus heard but did not understand. It wasn't until they saw his supernatural power their eyes were opened and they were very afraid.

What application is there for us today? I think we learn to believe, fear, and trust.

We see that belief requires more than just hearing. The disciples were exposed to Jesus day in and day out, yet even after his teaching they failed to understand who he was. Do we, who are exposed to Jesus’ words again and again, believe and understand? Do we recognize this distinction and how it applies to both our lives and the lives of those with whom we share God's Word?

We also see that the proper response to the presence of God amongst us is fear. Do we fear the God who rules this world more than we fear this world that he rules? 

Despite his followers's lack of faith and despite his power, Jesus cared for his disciples and calmed the storm. As his followers, do we trust him in ways the disciples did not? Since he has opened our eyes and given us a new nature enabling believe, let us trust him and fear not. As it says in Romans 8:15: “For you did not receive the spirit of slavery to fall back into fear [the same word used in Mark 4], but you have received the Spirit of adoption as sons, by whom we cry, ‘Abba! Father!’”

Storm

Travels 2015: Bicycle Rights!

Travels 2015 is a series of updates I originally posted on Facebook while on vacation. What started as a quick update and a couple photos transformed into a series of mini-essays that I would have posted on this website had it been up and running at the time. This one was written on October 21st, 2015.

 

After spending a frustrating couple hours maneuvering Portland’s transit system I decidedthat waiting at bus stops was not why I was here and that there were better ways to experience this city than from the bus window. So after dropping off my bags at my AirBnB, I took the bus all the way back downtown to the catch the only bike rental shop in the city still open that night. I arrived at my journey’s weary end, walked up to the counter, and asked for “one bicycle, for three days please.” 

“Sorry buddy,” said the young and friendly attendant. “You chose the very worst day of the year. Tomorrow is Bridge Peddle and every single bike in the city is rented out.” At least he was friendly, and suggested an app that was the “AirBnB of bike rentals”. In a last ditch effort to find a ride for the next morning, I texted my AirBnB host. Perhaps they had a bike I could borrow?

“Yes, you could borrow our Schwinn in the garage.” came the unexpected reply. “Just head down the hallway, descend the basement steps, take the red door on your right, screw in the lightbulb, find the bike and helmet, and then leave using the rolling garage door. Oh, and watch out for the cat.”

The bike was far classier than I expected and far smaller than it should have been for my 6.3” frame. It was a great, if sweaty, way to experience Portland. I almost got killed or arrested several times, until I discovered bike lanes and Google Maps cycling directions. How I must have looked struggling away on such a small bike! Especially on the day I tried to transport a box of pastries.

I was on my way to visit Humble Beast’s studios in the far-off suburb of Fairview and thought I would bring a gift of a box of delicious pain au chocolate’s, picked up at the local authentic French pastry shop. Since I planned on taking the bus, there was no need for the paper bag they offered me, so I took the bright yellow box loaded with goods and made my way to the bus stop. But despite my well-timed itinerary, the bus had already left. No worries; I would simply follow the bike route to the metro station. Over rolling, leafy hills, past homes and schools, over freeways and down staircases I bike, controlling the brake peddle with my left hand and holding the yellow box of pastries with my right. I got a few strange looks, but hey, this is Portland!

A sketchy elevator ride to the metro ride and a bus journey later, I had only a short hill to descend until I arrived at the studio. As soon I pushed off, I released something was amiss. During the buss ride the single piece of scotch tape holding the folded box together had burst and its origami design fell apart in my arms, croissants flying and falling. I swore to myself, quickly braked, and gathered what I could. Only two had hit the dust, I noticed as I looked up the hill behind me. These pastries weren’t cheap. Should I not stop and retrieve them? 

My mind made up, I retraced my steps, but just then a truck rolled over the crest of the hill, its tire track aiming straight for my pastry. I cringed, but was powerless to stop it. That Pain au chocolate was squished flat as any roadkill. 

They guys at Humble Beast said they never had a guest bring such tasty treats. They didn’t noticed I brought one short of a dozen.